Most of ALL in my Opionion on behalf or in regard of the OUTFITS and as well as in TOTALWhat are good outfits is very subjective: what the one likes, the other doesn't like, but outfits are very important to me in the buy/not buy decision.
Show quality comes and goes and judgements are very subjective. We need to give Totem a break...the Ukrainian border is closed, their strategy of using girls from there is unworkable and they're using whatever performers they can find in France. I have no idea what the make-up and costume people do about social distancing, but it can't be easy.
If everybody else agrees with you, it'll show in the sales figures and they'll get back to the standards we're used to as soon as circumstances allow. Personally, I reckon we've seen a few very good shows in recent weeks and I certainly don't regard August as a disaster. More like a breath of fresh air....
For my part, what bothers me the most about the shows in August are the shows that are too modest, with the level of "nudity" hotness.
I find that in a show, the minimum must be "full nudity".
For my part, I am 58 years old, and I have no problem with XXX shows. On the contrary, the more I see, the better.
Pour ma part, ce qui me dérange le plus dans les shows du mois d'août, ce sont les shows trop pudiques, avec le niveau de hotness "nudité".
Je trouve que dans un spectacle, le minimum doit être "nudité complète".
Pour ma part j'ai 58 ans, et je n'ai aucun problème avec les spectacles XXX. Au contraire, plus j'en voit et mieux c'est.
The main problem is people continue to buy shows even if they do not like them...lets say they only pay $1000 for nudity or slight full nudity model .vs...$1500 for a true open leg or xxx show...they can make same profits for 33% fewer sales. The normal supply/demand model is broken on istripper because so many people just buy cards to fill a collection or they treat totem like a patreon or donation site. I actually thought this was fine before the gambling and SE but totem doesn't need the donations because they can hit their profit goals via a slick SE or gambling promotion.
Keep in mind that totem has also been accumulating extra profits for the last two years through somewhat nefarious gambling methods and "special events". They haven't appreciably improved the product technically with these extra proceeds, with the 4k being a tiny upgrade and being paid for by subs. They haven't opened new studios, or added new features, props, or even costumes for that matter.
Pour ma part je pense que le covid19 a eu une grande influence, du fait que cela a diminué l'offre des filles, et qu'il y a probablement des filles plus locales en France,
qui préfèrent exposer moins leurs organes génitaux.
De plus Totem en a profiter pour offrir une carte SEC, pour attirer plus les gens à
acheter, toutes les cartes du mois d'août.
girls in France, who prefer to expose their genitals less.More precisely, they want to be paid more than East Europe ones, in order to do it.
More precisely, they want to be paid more than East Europe ones, in order to do it.
I guess the software bases its show structure on market preferences or trends, which we see I guess reflects that. I think that when you stop consuming something, you stop being a target market for that brand. For example, I cancelled my Netflix subscription and I prefer HBO Go. I love Nike, but I don't like their current line and I prefer Merrell, that's what happens with this. Brands change, consumers change. Everything changes.
@Alkasyn: mmhhh...you are right, there is no prime amazon either😂 . and it is true that this is quite unique.
The problem is that the percentage of discard. is so high in the triple diamond or antique users that it does not manage to sustain the maintenance costs.
Deep down, you ***** the golden goose with that strategy.
To be able to continue to maintain yourself you have to look for a young market and adjust to that and that causes what you see today. The old market that consumes and is faithful, doesn't like the new format. While the young market does, but it is short lived. The average market age of this of how much will be 45 to 50 years ... and what happens, you have users from 30 to 65 years ... is too broad! You have three generations in the same bag with extrapolated tastes.
A generation that grew up with Playboy magazines and another with PornHub on the cell phone and there is a radical difference.
A market was loyal...and today the market is captivated. Excessive discounts are a bad strategy.
It is better to improve the product without touching the price, make special promotions and all that.
But if you touch the price on the basis of discounts that you can't withdraw, you're dead. It's a short range curve...bread today...hunger tomorrow.
Interesting you'd think that discounts and the fact that there ARE whales is what drives the company into a corner. Definitely something to think about.I, instead, totally disagree on the subject.
Interesting you'd think that discounts and the fact that there ARE whales is what drives the company into a corner. Definitely something to think about.I, instead, totally disagree on the subject.
First of all, we should keep in mind that "Istripper credit" is not a real currency - its value is decided only by the company itself, and it even do vary according to how many credits a person do buy; so the discounts are - rather obviously - modulated in a way that makes the company to gain even from purchases done by members of upper levels.
Let's keep in mind, also, that company earns money when we do buy credits, not when we spend them in the Is store: and so called "whales" are going to purchase credits more often than the average member does.
they are bound by the existing situation.They still earn 49,90 euros by each and every credit purchase. Which is the only things which really matters.
the pricing system and struture of discounts that they have introduced and the customers are used to at this moment in time.They are smart people, the current pricing structure is of course made in order to get profit also from high level members.
I wonder if and at what point having a studio in Eastern Europe could be profitable for the company,At least until the situation gets back normal, this might be quite a good idea...
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